Coda
Min New York Coda Eau de Parfum opens cold and finishes warm, and the distance it travels between those two states is the reason to own it.
Mint and eucalyptus arrive together and they are genuinely chilly, the sort of opening that reads on the skin as a drop in temperature rather than as a smell. Cypress is the third element, green and resinous and a little severe, and it keeps the first ten minutes from feeling like a remedy rather than a fragrance.
The middle changes direction completely. Ceylon cinnamon is the finer, sweeter kind of cinnamon, less fierce than the common variety and closer to the bark than the powder, and nutmeg sits beside it, dusty and warm. Cedarwood gives both of them something dry to stand on, sharp and clean in the way a freshly sharpened pencil is.
By the end it has become resinous and soft. Amberwood is warm and faintly mineral, labdanum is sticky and sweet with a resinous, faintly bitter edge, and patchouli adds a dark, damp earthiness beneath the pair. Nine materials in total, and they are arranged as a sequence rather than a blend, so the wear has a shape you can follow from one hour to the next. It lasts well and stays close after the first hour. It reads unisex, it is at its best in autumn and winter, and it suits evenings, though the cool opening makes it wearable in a warm room as well, which is more than most compositions of this weight manage.
The name belongs to a New York label whose first business was retail: a carefully chosen apothecary and shop, assembled by Chad Murawczyk, which only later began having perfume made for it in Grasse under the Scent Stories and Experimental headings.
Please note: images are a guide only. Packaging and bottle design may occasionally differ from those shown due to manufacturer updates or promotions.
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